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Theatre of Burkina Faso
Theatre of Burkina Faso (formerly the Republic of Upper Volta) combines traditional Burkinabé performance with the colonial influences and post-colonial efforts to educate rural people to produce a distinctive national theatre. Traditional ritual ceremonies of the many ethnic groups in Burkina Faso have long involved dancing with masks. Western-style theatre became common during colonial times, heavily influenced by French theatre. With independence came a new style of theatre inspired by forum theatre aimed at educating and entertaining Burkina Faso's rural people.
==Traditional theatre==
Prior to colonialism, the daily lives of each of Burkina Faso's different ethnic groups were infused with performative rituals.〔Rubin, p.64〕 These rituals varied but often involved dance and the use of masks.〔Marchais, p.96〕 For example, the Bwa and the Nuna people use tribal masks to represent the faces of spirits in dances on market days, at funerals and at initiation ceremonies, in order to better communicate with the protective spirits. The Dagari people, during funeral ceremonies, perform before the corpse, re-enacting important moments from his or her life.〔 These practices, primarily of a religious nature, are gradually dying out but they still exert a significant influence on modern Burkinabè theatre.〔Rubin, p.65〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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